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For The Emperor's Teacher, scroll down (↓) to "Topics." It's the management book that will rock the world (and break the vase, as you will see). Click or paste the following link for a recent profile of the project: http://magazine.beloit.edu/?story_id=240813&issue_id=240610

A new post appears every day at 12:05* (CDT). There's more, though. Take a look at the right-hand side of the page for over four years of material (2,000 posts and growing) from Seinfeld and country music to every single day of the Chinese lunar calendar...translated. Look here ↓ and explore a little. It will take you all the way down the page...from round to square (and back again).
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Friday, October 16, 2015

History Workshop Letter Assignment 2015

On this date on Round and Square's History 
Click here for the introduction to the Round and Square series "Assignments"

[a] Text and illustration RF
Method and Theory in History
(History Workshop)
HIST 190
Autumn 2015
Midterm Writing Assignment:
The Letter That Leads To The Research Paper
By choosing the letter format for your midterm assignment, I am asking you to build upon the skills you have already begun to develop in analyzing (and providing examples for) the life and travels of William Edgar Geil. You have already reached a point where you have some experience with his travels, his writings, and their larger context of the Doylestown Historical Society archive. Your job will now be to explain it "all" to intelligent non-specialists.

Teach them, really.
Letters from “the field” (imagine yourself following Geil on his travels and in his study) are a good way to refine your thoughts about ethnographic and historical study. They are also a useful medium for beginning the intellectual “framing process” that will accelerate as we move through the next half of the course. 

The letter writing exercise is especially useful while studying primary source materials, as we are doing right now. The nonfiction writer John McPhee explains to his students that a letter is often precisely the solution to problems of interpretation or clarity—when in doubt, write to mother, he says. In this case, it is not a plea of “send money” that the letter contains, but a reworking, rethinking, and contextualization of your work. You need not limit yourself to kinfolk, but you need to think about who the recipient will be (ideally someone who will welcome a letter about “studying sources”).

You owe it to yourself to listen to this long interview with McPhee. At the very least, listen to the first two minutes. It is the very purpose behind this assignment.


Now start writing. Toward that end, you should pay attention to the following issues.

[c] I said, "start writing" RF
1. The letter needs to be “long enough” to get you deeply into several issues regarding Geil's life, particular approaches to studying it, and a few examples. There is no absolute upper limit, but I am going to make a lower limit of 3,000 words (about ten pages). Even if you are a very efficient writer, you will need this much “space” to give your reader a good picture of your work. 3,000 words is just about right. Include a word count at the end of your letter (e.g. “3,245 words” or Word Count: 3,245).

2. I am asking you to connect with a very specific reader, and to explain "Geil" in a level of detail that she will find satisfying. You are the expert, and your “audience” is the person who will be reading your letter (I will, of course, be reading over her shoulder). I have found that this kind of assignment helps students to explain even abstruse matters, because the personal relationship they have with their readers demands an attention to patient explanation that is often lacking in more “academic” forms of writing, in which they assume that a professor already knows what they are writing about.

3. Your letter must address the research process. Think about Jenny Presnell's The Information Literate Historian and Wayne Booth's The Craft of Research. Explain your research process to your reader—walk her through it (seriously). Think about Meghan Dowell's presentation in our class before break. Explain what you have learned with regard to your own project.

4. Have at least one table or chart (or list) that describes the materials you are using in your particular research paper. This is required.

5. You may approach your materials from any angle that you like, but you will need to “cover” at least the following items, no matter what order you choose.

          a. You must discuss the "who was Geil?" and "why should I care?" questions. 
              Provide your reader with at least a few ways of thinking about his life and
              work.

          b. Give your reader a sense of what you have learned up to this point about 
              how to interpret and analyze a life through source materials.

          c. You must discuss give at least one specific example from Geil's writings.
              This should not be difficult. Feel free to use more.

          d. You must discuss the research process in your letter, including "walking your
               reader" through your research question.
         
         e. Finally, give your reader some sense of what it is like to learn about a
              a person who lived in very different era a century ago. How do we learn
              about human experience through documents?
6. The best way to approach the writing process is in three parts (this is a friendly suggestion). First, jot down some notes for each of the “sections” of your letter. Second, using those notes as a guide, write a rough draft of the whole letter. Third, revise, polish, and refine. 

Voilà you will have something that will provide a strong foundation for your research proposal (due in mid-November) and your final research paper.

You get the idea. If you don't, just raise your hand and ask me (or send me an e-mail message). I'll be happy to help.

Letters are due (in hard copy form) outside my door 
by 10:00 p.m. on Sunday, October 25.

Add the word count and your box number to all papers!
[e] And then you may rest RF


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