From Round to Square (and back)

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Wednesday, March 16, 2011

Beginnings (3)—Mrs. Bridge

Click here for an introduction to the Round and Square series "Beginnings."


Evan Connell, Mrs. Bridge 

But where is what I started for so long ago?
And why is it yet unfound?
                                         —Walt Whitman
1 Love and Marriage
Her first name was India—she was never able to get used to it. It seemed to her that her parents must have been thinking of someone else when they named her. Or were they hoping for another sort of daughter? As a child, she was often on the point of inquiring, but time passed, and she never did.
Joanne Woodward as India Bridge. [a]
Now and then while growing up the idea came to her that she could get along very nicely without a husband, and, to the distress of her mother and father, this idea prevailed for a number of years after her education had been completed. But there came a summer evening and a young lawyer named Walter Bridge: very tall and dignified, red haired, with a grimly determined, intelligent face, and rather stoop-shouldered so that even when he stood erect his coat hung lower in the front than in the back. She had known him for several years without finding him remarkable in any way, but on this summer evening, on the front porch of her parents’ home, she toyed with a sprig of mint and looked at him attentively while pretending to listen to what he said. He was telling her that he intended to become rich and successful, and that one day he would take his wife—“whenever I finally decide to marry” he said, for he was not yet ready to commit himself—one day he would take his wife on a tour of Europe. He spoke of Ruskin and of Robert Ingersoll, and he read to her that evening on the porch, later, some verses from The Rubáiyát while her parents were preparing for bed, and the locusts sang in the elm trees all around.

India Bridge. [b]
A few months after her father died she married Walter Bridge and moved with him to Kansas City, where he had decided to establish his practice.

Mr. and Mrs. Bridge (Paul Newman, Joanne Woodward). [c]
All seemed well. The days passed, and the weeks, and the months, more swiftly than in childhood, and she felt no trepidation, except for certain moments in the depth of the night when, as she and her new husband lay drowsily clutching each other for reassurance, and anticipating the dawn of the day, and another night which might prove them both immortal, Mrs. Bridge found herself wide awake. During these moments, resting in her husband’s arms, she would stare at the ceiling, or at his face, which sleep robbed of strength, with an uneasy expression, as though she saw or heard some intimation of the great years ahead.

She was not certain what she wanted from life, or what to expect from it, for she had seen so little of it, but she was sure that in some way—because she willed it to be so—her wants and her expectations were the same.

The Bridges in Europe. [d]
Mrs. Bridge and her daughter, Carolyn. [e]
For a while after their marriage she was in such demand that it was not unpleasant when he fell asleep. Presently, however, he began sleeping all night, and it was then she awoke more frequently, and looked into the darkness, wondering about the nature of men, doubtful of the future, until at last there came a night when she shook her husband awake and spoke of her own desire. Affably he placed one of his long white arms around her waist; she turned to him then, contentedly, expectantly, and secure. However nothing else occurred, and in a few minutes he had gone back to sleep.

This was the night Mrs. Bridge concluded that while marriage might be an equitable affair, love itself was not.[1]

 


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