From Round to Square (and back)

For The Emperor's Teacher, scroll down (↓) to "Topics." It's the management book that will rock the world (and break the vase, as you will see). Click or paste the following link for a recent profile of the project: http://magazine.beloit.edu/?story_id=240813&issue_id=240610

A new post appears every day at 12:05* (CDT). There's more, though. Take a look at the right-hand side of the page for over four years of material (2,000 posts and growing) from Seinfeld and country music to every single day of the Chinese lunar calendar...translated. Look here ↓ and explore a little. It will take you all the way down the page...from round to square (and back again).
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Showing posts with label theory letter. Show all posts
Showing posts with label theory letter. Show all posts

Friday, August 4, 2023

ANTH 206 Theory Letter Assignment 2026b

[a] Text and illustration RF
Social and Cultural Theory 
Anthropology 206 
Autumn 2026

Writing Assignment 
Theory: The Letter

By choosing the letter format for your first full writing assignment, I am asking you to build upon the skills you have already begun to develop in analyzing (and providing examples for) theoretical constructions. You have already reached a point where you have some experience with “theory,” and now your job will be to explain it to an intelligent non-specialist.
[b] Reaching, teaching RF

Teach it, really.

Letters from “the field” (or our modified “archive” of theoretical works in Anthropology and Theory and other works) are a good way to refine your thoughts about ethnographic and historical study, and they are a useful medium for beginning the intellectual “framing process” that will accelerate as we move through the next two-thirds of the course. The letter writing exercise is especially useful while studying theoretical source materials, as we are in this course.

The nonfiction writer John McPhee explains to his students that a letter is often precisely the solution to problems of interpretation or clarity—when in doubt, write to mother, he says. In this case, it is not a plea of “send money” that the letter contains, but rather a reworking, rethinking, and re-contextualization of your work. You need not limit yourself to kinfolk, but you need to think about who the recipient will be (ideally someone who will welcome a letter about “doing theory”).  

It needs to be a real person, and the letter will really be sent (arranged and paid for by the Beloit College history department). Let me repeat: it is a real letter to a real person. Do not treat this as an "exercise." In fact, the one way to "blow it" is to write a fake letter. One excellent student who did not believe me, actually wrote a "To whom it may concern" letter.

Don't. Do. That. I mean it.

Now that you are going to write a real letter, you owe it to yourself to listen to this long interview with JohnMcPhee. Take the time to do it. You'll learn a great deal about writing (and remember, this is a writing course, with "W" credit on your transcript). At the very least, though, listen to the first few minutes. It is the very purpose that lies behind this assignment.

John McPhee NPR (1978) 22:40
Click on the second blue circle on the right side of the page (it is worth it)

Now start writing. Toward that end, you should pay attention to the following issues.

1. The letter should be and absolute minimum of 2,000 words (about six pages). That might get you a B (maybe). You really will need between 2,500 and 3,000 words (eight-to-ten pages) to do it justice. I am looking for high-quality writing, and simply dashing off ta few pages will likely result in a C (or worse). A good job will require a good deal of careful work. 

2. Just in case you are used to writing three or four pages—spilling words onto the page and turning it in—pay very close attention to my writing guide and our class discussions about writing. I expect this to be a well-written essay in letter form (we'll discuss the letter genre in class). Again, f
ollow my writing guide. It will give you the tools to write drafts and to do this write (er, right).

3. I am asking you to connect with a very specific reader, and to explain “social and cultural theory" in a level of detail that s/he/they will find satisfying. Even now, you are the expert, and your “audience” is the person who will be reading your letter (think of my role as reading over your reader's shoulder). I have found that this kind of assignment helps students to explain even abstruse matters, because the personal relationship they have with their readers demands an attention to patient explanation that is often lacking in more “academic” forms of writing, in which they assume that a professor already knows what they are writing about.

Your reader probably doesn't, and I want you to explain it.

Make it make sense to your reader.

4. You may approach your materials from any angle that you like, but you will need to “cover” at least the following items, no matter what order you choose.

          a. You must discuss the “what is theory?” question. Provide your reader
              with at least a few ways of thinking about it.

          b. Give your reader a sense of what you have learned up to this point about 
              how to "do" theory and think theoretically. Use specific examples from our 
              course materials so far.

          c. Finally, give your reader some sense of what it is like to “learn theory”
              by discussing the details of some of your reading. Again, use specific examples.

          d. You must have at least one illustration. Trust me. I know what I'm doing. It can be anything (and you won't be publishing this, so permissions won't be required, although you should cite anything that is not your own drawing with a footnote or endnote).
5. The best way to approach the writing process is in three parts (this is a friendly suggestion). First, create a structure (we'll discuss this in class), and jot down some notes for each of the “sections” of your letter. Second, using those notes as a guide, write a rough draft of the whole letter. Third, redraft, ,revise, polish, and refine (read my writing guide)

VoilĂ  you will have something not unlike what Alexis de Tocqueville might have written about understanding a complex, foreign culture that baffled and enticed him almost 190 years ago. While your letter won’t be as long as Tocqueville's Democracy in America, it is likely—if it is done well—to be much like Tocqueville’s rich and evocative letters back to his family about encountering people, texts, and institutions in a strange land called the United States. 

You get the idea. If you don't, just raise your hand and ask me (or send me an e-mail message). I'll be happy to help.
***  ***
Letters are Due  by 5:00 p.m. on 
Sunday, September 27
(send it as a .pdf file to lafleur@beloit.edu)

Add the word count to all papers!
[e] And then you may rest RF

Tuesday, October 25, 2022

Social and Cultural Theory Letter Assignment 2022b

  On this date on Round and Square's History 


[a] Text and illustration RF
Social and Cultural Theory 
Anthropology 206 
Autumn 2022

Writing Assignment 
Theory: The Letter

By choosing the letter format for your first full writing assignment, I am asking you to build upon the skills you have already begun to develop in analyzing (and providing examples for) theoretical constructions. You have already reached a point where you have some experience with “theory,” and now your job will be to explain it to an intelligent non-specialist.
[b] Reaching, teaching RF

Teach it, really.

Letters from “the field” (or our modified “archive” of theoretical works in Anthropology and Theory and other works) are a good way to refine your thoughts about ethnographic and historical study, and they are a useful medium for beginning the intellectual “framing process” that will accelerate as we move through the next two-thirds of the course. The letter writing exercise is especially useful while studying theoretical source materials, as we are in this course.

The nonfiction writer John McPhee explains to his students that a letter is often precisely the solution to problems of interpretation or clarity—when in doubt, write to mother, he says. In this case, it is not a plea of “send money” that the letter contains, but rather a reworking, rethinking, and re-contextualization of your work. You need not limit yourself to kinfolk, but you need to think about who the recipient will be (ideally someone who will welcome a letter about “doing theory”).  

It needs to be a real person, and the letter will really be sent (arranged and paid for by the Beloit College history department). Let me repeat: it is a real letter to a real person. Do not treat this as an "exercise." In fact, the one way to "blow it" is to write a fake letter. One excellent student who did not believe me, actually wrote a "To whom it may concern" letter.

Don't. Do. That. I mean it.

Now that you are going to write a real letter, you owe it to yourself to listen to this long interview with JohnMcPhee. Take the time to do it. You'll learn a great deal about writing (and remember, this is a writing course, with "W" credit on your transcript). At the very least, though, listen to the first few minutes. It is the very purpose that lies behind this assignment.

John McPhee NPR (1978) 22:40
Click on the second blue circle on the right side of the page (it is worth it)

Now start writing. Toward that end, you should pay attention to the following issues.

1. The letter should be and absolute minimum of 2,000 words (about six pages). That might get you a B (maybe). You really will need between 2,000 and 3,000 words (six-to-ten pages) to do it justice. I am looking for high-quality writing, and simply dashing off ta few pages will likely result in a C (or worse). A good job will require a good deal of careful work. 

2. Just in case you are used to writing three or four pages—spilling words onto the page and turning it in—pay very close attention to my writing guide and our class discussions about writing. I expect this to be a well-written essay in letter form (we'll discuss the letter genre in class). Again, f
ollow my writing guide. It will give you the tools to write drafts and to do this write (er, right).

3. I am asking you to connect with a very specific reader, and to explain “social and cultural theory" in a level of detail that s/he/they will find satisfying. Even now, you are the expert, and your “audience” is the person who will be reading your letter (think of my role as reading over your reader's shoulder). I have found that this kind of assignment helps students to explain even abstruse matters, because the personal relationship they have with their readers demands an attention to patient explanation that is often lacking in more “academic” forms of writing, in which they assume that a professor already knows what they are writing about.

Your reader probably doesn't, and I want you to explain it.

Make it make sense to your reader.

4. You may approach your materials from any angle that you like, but you will need to “cover” at least the following items, no matter what order you choose.

          a. You must discuss the “what is theory?” question. Provide your reader
              with at least a few ways of thinking about it.

          b. Give your reader a sense of what you have learned up to this point about 
              how to "do" theory and think theoretically. Use specific examples from our 
              course materials so far.

          c. Finally, give your reader some sense of what it is like to “learn theory”
              by discussing the details of some of your reading. Again, use specific examples.

          d. You must have at least one illustration. Trust me. I know what I'm doing. It can be anything (and you won't be publishing this, so permissions won't be required, although you should cite anything that is not your own drawing with a footnote or endnote).
5. The best way to approach the writing process is in three parts (this is a friendly suggestion). First, create a structure (we'll discuss this in class), and jot down some notes for each of the “sections” of your letter. Second, using those notes as a guide, write a rough draft of the whole letter. Third, redraft, ,revise, polish, and refine (read my writing guide)

VoilĂ  you will have something not unlike what Alexis de Tocqueville might have written about understanding a complex, foreign culture that baffled and enticed him almost 190 years ago. While your letter won’t be as long as Tocqueville's Democracy in America, it is likely—if it is done well—to be much like Tocqueville’s rich and evocative letters back to his family about encountering people, texts, and institutions in a strange land called the United States. 

You get the idea. If you don't, just raise your hand and ask me (or send me an e-mail message). I'll be happy to help.
***  ***
Letters are Due in my Office (MI 206)
by 5:00 p.m. on Sunday, October 2

Add the word count to all papers!
[e] And then you may rest RF

Saturday, May 29, 2021

Social and Cultural Theory—Letter Assignment, 2021b

 On this date on Round and Square's History 


[a] Text and illustration RF
Social and Cultural Theory 
Anthropology 206 
Autumn 2021

Writing Assignment 
Theory: The Letter

By choosing the letter format for your first full writing assignment, I am asking you to build upon the skills you have already begun to develop in analyzing (and providing examples for) theoretical constructions. You have already reached a point where you have some experience with “theory,” and now your job will be to explain it to an intelligent non-specialist.
[b] Reaching, teaching RF

Teach it, really.

Letters from “the field” (or our modified “archive” of theoretical works in Anthropology and Theory and other works) are a good way to refine your thoughts about ethnographic and historical study, and they are a useful medium for beginning the intellectual “framing process” that will accelerate as we move through the next two-thirds of the course. The letter writing exercise is especially useful while studying theoretical source materials, as we are in this course.

The nonfiction writer John McPhee explains to his students that a letter is often precisely the solution to problems of interpretation or clarity—when in doubt, write to mother, he says. In this case, it is not a plea of “send money” that the letter contains, but rather a reworking, rethinking, and re-contextualization of your work. You need not limit yourself to kinfolk, but you need to think about who the recipient will be (ideally someone who will welcome a letter about “doing theory”).  

It needs to be a real person, and the letter will really be sent (arranged and paid for by the Beloit College history department). Let me repeat: it is a real letter to a real person. Do not treat this as an "exercise." In fact, the one way to "blow it" is to write a fake letter. One excellent student who did not believe me, actually wrote a "To whom it may concern" letter.

Don't. Do. That. I mean it.

Now that you are going to write a real letter, you owe it to yourself to listen to this long interview with McPhee. Take the time to do it. You'll learn a great deal about writing (and remember, this is a writing course, with "W" credit on your transcript). At the very least, though, listen to the first few minutes. It is the very purpose that lies behind this assignment.

John McPhee NPR (1978) 22:40
Click on the second blue circle on the right side of the page (it is worth it)

Now start writing. Toward that end, you should pay attention to the following issues.

1. The letter should be and absolute minimum of 2,000 words (about six pages). That might get you a B (maybe). You really will need between 2,000 and 3,000 words (six-to-ten pages) to do it justice. I am looking for high-quality writing, and simply dashing off ta few pages will likely result in a C (or worse). A good job will require a good deal of careful work. 

2. Just in case you are used to writing three or four pages—spilling words onto the page and turning it in—pay very close attention to my writing guide and our class discussions about writing. I expect this to be a well-written essay in letter form (we'll discuss the letter genre in class). Again, f
ollow my writing guide. It will give you the tools to write drafts and to do this write (er, right).

3. I am asking you to connect with a very specific reader, and to explain “social and cultural theory" in a level of detail that she will find satisfying. Even now, you are the expert, and your “audience” is the person who will be reading your letter (think of my role as reading over her shoulder). I have found that this kind of assignment helps students to explain even abstruse matters, because the personal relationship they have with their readers demands an attention to patient explanation that is often lacking in more “academic” forms of writing, in which they assume that a professor already knows what they are writing about.

Your reader probably doesn't, and I want you to explain it.

Make it make sense to your reader.

4. You may approach your materials from any angle that you like, but you will need to “cover” at least the following items, no matter what order you choose.

          a. You must discuss the “what is theory?” question. Provide your reader
              with at least a few ways of thinking about it.

          b. Give your reader a sense of what you have learned up to this point about 
              how to "do" theory and think theoretically. Use specific examples from our 
              course materials so far.

          c. Finally, give your reader some sense of what it is like to “learn theory”
              by discussing the details of some of your reading. Again, use specific examples.

          d. You must have at least one illustration. Trust me. I know what I'm doing. It can be anything (and you won't be publishing this, so permissions won't be required, although you should cite anything that is not your own drawing with a footnote or endnote).
5. The best way to approach the writing process is in three parts (this is a friendly suggestion). First, create a structure (we'll discuss this in class), and jot down some notes for each of the “sections” of your letter. Second, using those notes as a guide, write a rough draft of the whole letter. Third, redraft, ,revise, polish, and refine (read my writing guide)

VoilĂ  you will have something not unlike what Alexis de Tocqueville might have written about understanding a complex, foreign culture that baffled and enticed him 180 years ago. While your letter won’t be as long as Tocqueville's Democracy in America, it is likely—if it is done well—to be much like Tocqueville’s rich and evocative letters back to his family about encountering people, texts, and institutions in a strange land called the United States. 

You get the idea. If you don't, just raise your hand and ask me (or send me an e-mail message). I'll be happy to help.
***  ***
Letters are Due (as .pdf copies sent to me by email)
by 5:00 p.m. on Sunday, September 26

Add the word count to all papers!
[e] And then you may rest RF

Wednesday, August 29, 2018

Social and Cultural Theory Letter Assignment, Autumn 2018

On this date on Round and Square's History 

[a] Text and illustration RF
Social and Cultural Theory 
Anthropology 206 
Autumn 2018

Writing Assignment 
Theory: The Letter
By choosing the letter format for your first writing assignment, I am asking you to build upon the skills you have already begun to develop in analyzing (and providing examples for) theoretical constructions. You have already reached a point where you have some experience with “theory,” and your job will be to explain it to an intelligent non-specialist.
[b] Reaching, teaching RF

Teach it, really.

Letters from “the field” (or our modified “archive” of theoretical works in Moore) are a good way to refine your thoughts about ethnographic and historical study, and they are a useful medium for beginning the intellectual “framing process” that will accelerate as we move through the next two-thirds of the course. The letter writing exercise is especially useful while studying theoretical source materials. 

The nonfiction writer John McPhee explains to his students that a letter is often precisely the solution to problems of interpretation or clarity—when in doubt, write to mother, he says. In this case, it is not a plea of “send money” that the letter contains, but a reworking, rethinking, and contextualization of your work. You need not limit yourself to kinfolk, but you need to think about who the recipient will be (ideally someone who will welcome a letter about “doing theory”).

It needs to be a real person, and the letter will be sent (organized by the Beloit College history department). It is a real letter to a real person. Do not treat this as an "exercise."

You owe it to yourself to listen to this long interview with McPhee (but I know that you are pressed for time). At the very least, though, listen to the first few minutes. It is the very purpose that lies behind this assignment.

John McPhee NPR (1978) 22:40
Click on the second blue circle on the right side of the page (it is worth it)

Now start writing. Toward that end, you should pay attention to the following issues.

1. The letter needs to be “long enough” to get you deeply into several issues regarding social and cultural theory, including particular approaches and a few examples.  There is no absolute upper limit, but I am going to make an absolute lower limit of 2,000 words (about six pages). Realistically, your letter should probably be somewhere in the 3,000 word range (about ten pages). 2,000 words (about six pages) is the bare minimum, and you are unlikely to receive an "A" for it. The letter requires detail, and that usually requires 2,500 or 3,000 words, with solid examples (including quotations) from your texts. 

Do not, under any circumstances, turn in an assignment shorter than 2,000 words.
2. I am asking you to connect with a very specific reader, and to explain “social and cultural theory” in a level of detail that she will find satisfying. You are the expert, and your “audience” is the person who will be reading your letter (think of my role as reading over her shoulder). I have found that this kind of assignment helps students to explain even abstruse matters, because the personal relationship they have with their readers demands an attention to patient explanation that is often lacking in more “academic” forms of writing, in which they assume that a professor already knows what they are writing about.

Your reader probably doesn't. 

Make it make sense.

3. You may approach your materials from any angle that you like, but you will need to “cover” at least the following items, no matter what order you choose.

          a. You must discuss the “what is theory?” question. Provide your reader with 
              at least a few ways of thinking about it.

          b. Give your reader a sense of what you have learned up to this point about 
              how to “apply” theory. Use examples, either from the course or your own work.

          c. Finally, give your reader some sense of what it is like to “learn theory” by 
              discussing the literary and historical dimensions of some of our texts.  It 
              might be useful to think of the “pragmatic/historical” dimensions that are 
              explained on the syllabus.

          d. You must have at least one illustration. Think about "the rhetorical role of 
               illustrations" in the New York Review of Books.
4. The best way to approach the writing process is in three parts (this is a friendly suggestion). First, jot down some notes for each of the “sections” of your letter. Second, using those notes as a guide, write a rough draft of the whole letter. Third, revise, polish, and refine.  

Don't turn in a first draft (it isn't done).

VoilĂ  you will have something not unlike what Alexis de Tocqueville might have written about understanding a complex, foreign culture that baffled and enticed him 180 years ago. While your letter won’t be as long as Democracy in America, it is likely—if it is done well—to be much like Tocqueville’s rich and evocative letters back to his family about encountering people, texts, and institutions in a strange land called the United States. 

You get the idea. If you don't, just raise your hand and ask me (or send me an e-mail message). I'll be happy to help.
***  ***
Letters are Due (as stapled hard-copies outside my office, MI 206)
by 5:00 p.m. on Sunday, September 30.

Add the word count and your box number to all papers!
[e] And then you may rest RF

Thursday, September 17, 2015

Social and Cultural Theory Letter (Autumn 2015)

On this date on Round and Square's History 

[a] Text and illustration RF
Social and Cultural Theory 
Anthropology 206 
Autumn 2015

Preliminary Writing Assignment 
Theory: The Letter
By choosing the letter format for your first writing assignment, I am asking you to build upon the skills you have already begun to develop in analyzing (and providing examples for) theoretical constructions. You have already reached a point where you have some experience with “theory,” and your job will be to explain it to an intelligent non-specialist.
[b] Reaching, teaching RF

Teach it, really.

Letters from “the field” (or our modified “archive” of theoretical works in Moore) are a good way to refine your thoughts about ethnographic and historical study, and they are a useful medium for beginning the intellectual “framing process” that will accelerate as we move through the next two-thirds of the course. The letter writing exercise is especially useful while studying theoretical source materials. The nonfiction writer John McPhee explains to his students that a letter is often precisely the solution to problems of interpretation or clarity—when in doubt, write to mother, he says. In this case, it is not a plea of “send money” that the letter contains, but a reworking, rethinking, and contextualization of your work. You need not limit yourself to kinfolk, but you need to think about who the recipient will be (ideally someone who will welcome a letter about “doing theory”).

You owe it to yourself to listen to this long interview with McPhee. At the very least, listen to the first two minutes. It is the very purpose behind this assignment.


Now start writing. Toward that end, you should pay attention to the following issues.

1. The letter needs to be “long enough” to get you deeply into several issues regarding theory itself, particular approaches, and a few examples.  There is no absolute upper limit, but I am going to make a lower limit of 3,000 words (about ten pages). Even if you are a very efficient writer (3,000 words is barely adequate), you will need this much “space” to give your reader a good picture of your work. 3,000 words (or a few more) is just about right. Include a word count at the end of our paper (e.g. “3,245 words” or Word Count: 3,245).
2. I am asking you to connect with a very specific reader, and to explain “theory” in a level of detail that she will find satisfying. You are the expert, and your “audience” is the person who will be reading your letter (I will, of course, be reading over her shoulder). I have found that this kind of assignment helps students to explain even abstruse matters, because the personal relationship they have with their readers demands an attention to patient explanation that is often lacking in more “academic” forms of writing, in which they assume that a professor already knows what they are writing about.

Your reader doesn't. Make it make sense.

3. You may approach your materials from any angle that you like, but you will need to “cover” at least the following items, no matter what order you choose.

          a. You must discuss the “what is theory?” question. Provide your reader with 
              at least a few ways of thinking about it.

          b. Give your reader a sense of what you have learned up to this point about 
              how to “apply” theory. Use examples, either from the course or your own work.

          c. Finally, give your reader some sense of what it is like to “learn theory” by 
              discussing the literary and historical dimensions of some of our texts.  It 
              might be useful to think of the “pragmatic/historical” dimensions that are 
              explained on the syllabus.

          d. You must have at least one illustration. Think about "the rhetorical role of 
               illustrations" in the New York Review of Books.
4. The best way to approach the writing process is in three parts (this is a friendly suggestion). First, jot down some notes for each of the “sections” of your letter. Second, using those notes as a guide, write a rough draft of the whole letter. Third, revise, polish, and refine.  

VoilĂ  you will have something not unlike what Alexis de Tocqueville might have written about understanding a complex, foreign culture that baffled and enticed him 180 years ago. While your letter won’t be as long as Democracy in America, it is likely—if it is done well—to be much like Tocqueville’s rich and evocative letters back to his family about encountering people, texts, and institutions in a strange land called the United States. 

You get the idea. If you don't, just raise your hand and ask me (or send me an e-mail message). I'll be happy to help.
***  ***
Letters are due (in hard copy form) outside my door 
by 5:00 p.m. on Monday, September 28
(because of the Beloit College Internet Outage, and the fact
that many students had no access to Google Docs)

Add the word count and your box number to all papers!
[e] And then you may rest RF