From Round to Square (and back)

For The Emperor's Teacher, scroll down (↓) to "Topics." It's the management book that will rock the world (and break the vase, as you will see). Click or paste the following link for a recent profile of the project: http://magazine.beloit.edu/?story_id=240813&issue_id=240610

A new post appears every day at 12:05* (CDT). There's more, though. Take a look at the right-hand side of the page for over four years of material (2,000 posts and growing) from Seinfeld and country music to every single day of the Chinese lunar calendar...translated. Look here ↓ and explore a little. It will take you all the way down the page...from round to square (and back again).
*Occasionally I will leave a long post up for thirty-six hours, and post a shorter entry at noon the next day.

Thursday, January 10, 2019

HIST 210: Rice, Self, and Society in Japan Assignment, Spring 2019

On this date on Round and Square's History 
Click here for the introduction to the Round and Square series "Assignments"
[a] Grain RF
Japan, East Asia, and the Pacific World
History 210
Midterm Assignment
Rice, Self, and Society
The Basics 
Read Rice as Self and watch the Seven Samurai (this will be shown in class during Week IX, after spring break). Write an essay of at least 3,000 words (about ten pages) commenting upon some of the many themes found in these very different “documents” and showing their connections to the materials we have studied up to this point in the course. The essay is due by 5:00 p.m. on Sunday, March 31.

The Pivot
Remember what I said in class about this assignment being a “pivot” experience. In that way, it is the most important assignment of the entire course. Your source letter was meant to get you thinking on new levels about primary and secondary sources, and to help you review the material in your various readings during the first five weeks. The rest of the term, as you already know (since we are well on our way) will be spent engaging a number of significant secondary texts that have shaped Japanese studies during the last half-century—covering the bulk of the four-hundred years. Later, you will write a "final" paper that asks you to put it all together—primary and secondary materials, as well as the various historiographical and ethnographic(al) arguments that have been employed over the centuries.
[b] Pivot RF

That makes this assignment central to your task. It is as though you are looking back at the first seven weeks of study, processing and reprocessing the material, and then pivoting to engagement with the film and the book…with an eye to preparing yourself for the second half of the course. In short, although this assignment asks you to write a review essay about Rice as Self and the Seven Samurai, you will be using all that you have learned as a backdrop for your work. To the extent that you really make the first half of the course your foundation for this assignment, you will prepare yourself beautifully for what is yet to come.

Review Essay
A good way to approach the assignment is to write a “review essay.”  You have already read several essays in the New York Review of Books, and have seen a number of authorial strategies being employed. In other words, you have a few models in front of you. The basic idea for your own assignment is as follows. A good review essay has a two-pronged approach. It is, on the one hand, a “review” of the book (Rice as Self) and the film (the Seven Samurai). Imagine that your ten-page essay contains an “embedded set of reviews of each of these, totaling about four pages—maybe five. In the “rest” of the essay you should show how the themes in the book and the film that can be seen in the wider perspective of Japanese history.

In other words, what do the sources in McCullough, and Lu have to do with what you have encountered in Rice as Self and the Seven Samurai? How about the secondary sources we have read during the last four weeks? What are some of the wider East Asian themes that might contribute to an understanding of Japan's identification with rice (think about the mythology lectures)? Write about it and them.

[c] Background RF
Additional Notes
This assignment asks you to engage the text (and film) at hand, and to review all of the work you have done thus far in the course. It does not require you to do “research,” and substantial outside work will almost certainly be counter-productive. For example, spending two or three pages on the casting and shooting of the Seven Samurai would be far less relevant than spending those pages examining how themes of rice and community weave their way(s) through the book and the movie. Background information is occasionally useful (and you may have some from previous reading or coursework), but do not make the mistake of providing so much “background” that you don’t deal fully with the assignment itself. 

Plot out some of the themes and take notes to make sure you have dealt with the full range of possibilities in the materials. Your skills in spotting themes in the Lu source readings will pay off a great deal in this assignment, as will the general historical and cultural knowledge you have gained from your other sources and from class sessions. You have all of Week 11 (the week after break) to pursue this project, and you should use it to review all of the readings and class discussions (not to mention themes) that we have studied thus far in the semester.

Reminders
[1] This assignment is meant to tie together much of the work you have done this semester. Just as you must do on weekly quizzes, be sure to use the full range of your “sources” in your interpretations. Strive to "master" the Japanese sources from Lu's reader, and then to integrate broader understandings from the Chinese and Korean materials we have encountered in the Great Courses lectures.
[d] Complex RF

[2] Don’t forget that I will be evaluating this assignment with the assumption that you are trying to explain these matters to “intelligent non-specialists" (exactly the way that New York Review writers must).  That means that I do not want you to “skip” those portions that you know I know. I want you to explain them. I want you to be the expert who is explaining these matters to someone who does not know much about Japan, but is certainly able to follow a complex argument. Imagine, for example, that you are writing for your FYI professor, with moi looking over her shoulder

[3] Follow standard Chicago Manual of Style (CMS) citation form, and use the Writing Guide as you proceed. This is a “formal” paper, and the style sheet’s guidelines should be followed closely.

[4] There should be a bibliography of sources (class books and any outside materials that you have consulted) at the end of your document. Make sure that it is in proper CMS form.

[5] Good luck. There is more than enough material to write any number of essays. Choose several good points, scenes, or themes. Then write one coherent essay.

Due by 5:00 on Sunday, March 31. (Put a hard copy outside my door—MI 206). 
Use the word count feature of your software and put the word total at the bottom of the essay, e.g. “3,262 words.”

Add the word count and your box number to all papers!
[e] Reflection RF

No comments:

Post a Comment