[a] Ascent RL |
Accidental 6a Accidental 6b Accidental 6c Accidental 6d
Accidental 6e Accidental 6f Accidental 6g Accidental 6h
Accidental 6e Accidental 6f Accidental 6g Accidental 6h
In the autumn of 2006 I made a pilgrimage to the very center of Chinese culture—a journey that many admirers of the Chinese tradition have made over the course of 3,000 years of written history. My destination was Mt. Tai, the eastern peak of the five sacred mountain template known in Chinese cosmology and statecraft since the Zhou Dynasty (c.1050-221 BCE). I hiked the 7,000 winding steps, including the steep ascent to the South Heaven Gate that everyone in China can recognize from photographs. Through it all, I passed more than a thousand stone inscriptions (石刻). These had been written throughout the centuries by various poets, emperors, and itinerants, creating a mountainous cluster of vegetation, rock, and writing that, in profound ways, merged nature and culture.
A year later, after five different trips to Mt. Tai—making sure that I got everything down—I watched the sunrise on the eastern edge of the eastern sacred peak. I had spent a hundred days on the mountain in the previous twelve months, and that day's sunrise struck me as being just a little too much like Groundhog Day for my intellectual comfort. I treasured the natural and cultural nooks and crannies of Mt. Tai, but something was wrong. Something was just a little off-kilter. As the throngs began to disperse, making their various ways up and around Mt. Tai's vast, city-sized summit, I pondered what to do next. Why was I spending my time researching just Mt. Tai? Weren't there four other mountains in this cosmological series? Why did my research and travel insist upon counting 1-1-1-1-1 instead of 1-2-3-4-5?
[b] Top RL |
I hurried down the steep steps, packed quickly, and caught a train to Luoyang. I had a new plan.
In that week, I climbed the east-west axis of the mountain series. Mt. Tai in the east was followed by Mt. Song in the center and, just before having to rush back to teach the second half of the semester, Mt. Hua in the west. Before the lunar year was through, I would climb the north-south axis, as well—I hiked Mt. Heng in the south, went up Mt. Song again for good measure, and then finished the trip with the Mt. Heng of the north. By the beginning of 2008, I had familiarized myself with all five sacred mountains, and was learning to appreciate them as a network of ideas, rock carved poetry, and cultural practice. I spent all of China's Olympic year searching out both the well-traveled and forgotten spaces on the five mountains. Another year later, by late-2009, I had spent 400 days on these five escarpments in just over three years.
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And that is how I met William Edgar Geil (1865-1925). I won't forget that first encounter. It was a cool, clear October evening in 2009. On the western peak of China's western sacred mountain, I caught a clear internet signal and did a quick search of the phrase "five peaks" (五嶽; 五岳). I wanted to see what had been published, and what books—any language—I could get my hands on. I hit return, and allowed a few seconds for the information to load (I was on top of a mountain, but it was as though the tower was down on the Shaanxi plain). Then up came three screens worth of answers.[c] Western RL |
This was what I had expected, but I glanced at the second screen, if only to confirm my certainty. Westerners had shown some interest in Mt. Tai, and even written several terrific books about it (I already admired these). No Westerner had bothered to look at the five sacred mountains in depth as a complex idea and series of linked destinations. That must be an "Asian" concept, and one that I was out front on in my own work. I got a little chill of combined significance (I was onto something) and irrelevance (no one—in the West—really cared). Then, for some reason, I decided to hit the third screen, even though I was certain that it would just contain a few more Asian language works.
[d] Nature/culture RL |
But I had never, ever heard of William Edgar Geil. Not once, and not even as part of an elaborate language joke using the word guile. Nope. Never.
It was late in the evening, and I needed sleep before the next day's mountaintop research. I would not forget, though. I had to learn more about this guy(l) who had scooped me on my project by almost a century—a traveler who had done what I was in the midst of doing, but who couldn't take domestic aircraft and regional buses (still a travel challenge) from mountain to mountain. I had to learn more about this William Edgar guy who knew that the five sacred mountains—all five—were worthy of serious attention. I had been worrying about some journalist getting the idea and whipping up the project as an afterthought. Little did I know that William Edgar Geil had thought my thoughts and traveled my paths (as I saw it) nine decades before I heard of his name.
I was determined to know more.
Accidental 6a Accidental 6b Accidental 6c Accidental 6d
Accidental 6e Accidental 6f Accidental 6g Accidental 6h
Accidental 6e Accidental 6f Accidental 6g Accidental 6h
[e] Paths RL |
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